(1:12 袖珍) viola da mano ~15世紀~

7月 13, 2008

其實右邊那把的背板有製作出水波紋只是那種細處無法用像機紀錄下來只有肉眼看的到

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<參考資料>

~如有翻譯錯誤請參考原文~

考據繪畫中的資料重新詮釋

繪圖者 Veronese artist Girolamo dai Libri (1474 - 1555)

viola da mano被認為義大利對西班牙的比維拉琴。最明顯的區別在二者的音箱形狀
viola da mano 腰身的弧度呈現c型有明顯的角度與比維拉琴的弧度不同。
在義大利 viola da mano和魯特琴在15世紀晚期`16世紀中期相當普遍
它與比維拉琴`魯特琴制定相同的調性`和弦(或琴弦) 數量

例如義大利新生的最多產的作曲家的當中一個

Francesco Cavova da Milano (Il divino Francesco) 表明

他的曲子能夠用魯特琴或viola da mano來演奏

(原文)

Reconstruction of a plucked viola from the painting

Madonna and Child with Saints by Veronese artist Girolamo dai Libri (1474 - 1555)

Viola da mano can be regarded as an Italian equivalent to the Spanish vihuela. The most obvious difference between the two seems to be only the shape of their bodies: C-shape cuts with pointed corners on the viola da mano and figure-of-eight body shape on the vihuela. The viola da mano was fairly widespread, alongside the lute, in the late 15th – mid 16th century Italy. It also shared both the tuning and the number of strings (or courses) with the vihuela and the lute. For example, one of the most prolific composers of the Italian Renaissance – Francesco Cavova da Milano (Il divino Francesco) – indicated that his pieces could be played either on the lute or viola da mano.

http://www.vihuelademano.com/viola-da-mano/daiLibri.htm